D_Hollingsworth

It’s not worth the time or effort to wait for Line 6/Yamaha. It is very disappointing that 1) Line 6 couldn’t appropriately test their product with iOS 13 and warn their customers. 2) that Line 6 can’t fix the issue with a firmware update(in 3+ months) as other manufacturers/developers. It’s a $100 paperweight at this point.

I hadn’t plugged in since the 13.0 update till today. Surprise! No workie workie. And I find this thread. Want to know why I sold all my other Line 6 Gear? It’s because of unresolved issues that plagued past products after the Yamaha acquisition. It’s also why I don’t anything made by Yamaha. For a Japanese owned company, Line 6 is a disgrace. I have never had this poor level of service from ESP, Hoshino Gakki or any other Japanese company that I had gear from. Even while living in Japan. Line 6. You guys suck.

The one glaring issue that has not been addressed yet has seen several posts on is the output volume change when routing a signal through the HD500 to an AMP. I don't use the four cable method on purpose. I have a rack mounted wireless (a Relay G90 at that) and don't need more cables than I already have going to and from my amp. The current system requires that you add a Studio EQ to every preset (waste of DSP) and boost the output gain by 12db or more. A output level preamp with a attenuation pot would do the trick to make sure the right amount of signal goes through to the effects return. My GNX3000 which I was going to retire has this feature. The effects (especially the pitch glide where you can set it for specific pitch drops) and the MIDI capability works great to control my live setup (yeah I don't use it for amp modeling except in the studio) but it's this one thing that just eats at me....